Many years ago I ordered a guitar from Mark Warr. It took a year to build and it arrived around the same time as my daughter, so I named it after her.
This instrument is a touch guitar and is designed to be played by tapping the strings against the fretboard, although you can play it in any style you like. I had previously owned a Chapman Stick, which is a purely tapping instrument and turned out not to be right for me. I didn’t like only being able to tap and, over time, I realised I did not like the tone.
The Warr Guitar is a wonderful, beautifully built, gorgeous sounding instrument, even when it isn’t amplified. But there was a problem. Not having anyone to teach me the instrument I felt my way and developed plenty of (probably) bad habits. I recorded it for bass and lead parts on my Spingere project and played soundscapes in front of audiences before Eclipse trio gigs. I even recorded the bass line for a country song on it.
The one thing I had never done was to play it, full volume, with a drummer in a band situation. At least, I hadn’t done that until last week.
The Band With No Name (soon to be revealed) tried out some new material and I felt this might be the place to let the Warr Guitar loose. I began with my back to everyone and the more comfortable I felt the more I turned around.
It wasn’t perfect. Getting consistent volume took a while and, as I was alternating between by bass and the Warr (both are tuned in different intervals) there were a few brown notes. But, overall, I was pleased with the sound and no one asked me to put it away and pick the bass back up.
The next step is to gig with it.


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